London – Azzedine Alaia: The Couturier at the Design Museum

Azzedine Alaia: The Couturier exhibition at the Design Museum

When I was in London a couple of weekends ago, I was looking for an exhibition to see and, while there weren’t many that grabbed my fancy,  Azzedina Alaïa: The Couturier at the Design Museum looked intriguing. I might not be a fashionista, but I enjoy fashion and am familiar with Azzedine Alaïa’s work, and was curious to see what his clothing would look like up close.

Purple and white dresses from the wrapped forms display at the Azzedine Alaia exhibition

The exhibition is the first in the UK to be solely dedicated to the late Tunisian designer and was co-curated by the legendary couturier and his friend, curator Mark Wilson, and I was surprised to see the entire exhibition contained within one large, open-plan room.

Exploring volume display at the Azzedine Alaia exhibition

The exhibition features around 60 items of clothing, mostly dresses, dating from the early 1980s through to Alaïa’s last collection in 2017. The pieces are grouped together according to theme and the themes included “exploring volume”, “Spanish accent” and “other places, other cultures”.

The pieces on display were exquisite, and it was fascinating to be able to examine the clothing up close and see the intricate detail and superb craftsmanship that went into making them. I might not have wanted to wear all the pieces (some are best left to Amazonian supermodel-types), but I could nevertheless appreciate Alaïa’s exceptional knowledge of structure and fabric.

Sculptural tension display at the Azzedine Alaia exhibition

My favourite dresses were the seven dresses that made up the “sculptural tension” display (above). The black velvet dress (above, 2nd from right) and the sculpted pleated leather dresses either side of it were my favourites and I’d have been very happy if any of them had made their way into my wardrobe. I also adored the slinky, hooded purple dress from the “wrapped forms” display and all the dresses in the “timelessness” section.

Along the walls hung a number of photos of Alaïa, along with famous models, actresses and singers (notably Naomi Campbell and Grace Jones) wearing his creations. There was also a short film playing.

Black and pink dress from the exploring volume display at the Azzedine Alaia exhibition

Azzedine Alaia: The Couturier is a fascinating glimpse inside the world of an exceptional designer and is filled with fabulous, jaw-dropping fashion. It was interesting to see how the designer’s style evolved over the years and to have an opportunity to appreciate how clever his designs were. My only complaint is I felt the exhibition was overpriced for what it was. It didn’t take long to look at everything (20 minutes or so, if you were really taking your time) and £16 seemed a bit steep for such a small collection. But that aside, it’s an intriguing exhibition and one that’s likely to appeal to those interested in fashion and design.

Info

Azzedine Alaia: The Couturier at the Design Museum, 224-238 Kensington High Street, London W8 6AG
Until 7 October 2018
Adults £16, children (six to 15 years old) £8, concessions and students £12
designmuseum.org/exhibitions/azzedine-alaa-the-couturier

 

 

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London – The Impressionists at the Tate Britain

When I was in London at the beginning of April, I was looking for an exhibition to visit and the one that caught my eye was The Impressionists at the Tate Britain. The blockbuster exhibition, which closes today, has been running since November and centres around the French Impressionists who fled France for Britain during the Franco-Prussian War of the 1870s.

Impressionism is one of my favourite art movements and this exhibition didn’t disappoint with notable works by the likes of Claude Monet, Camille Pissaro and Auguste Rodin on display. Spread over eight galleries, it took a little over an hour to see everything there was to see, and while the exhibition was heaving in the first few galleries, the crowds eased off the further into the exhibition I got.

The exhibition began with paintings depicting the horrors of the Franco-Prussian War in Paris, with paintings of dead or wounded soldiers, and buildings alight or in ruins. The artworks were vivid and haunting, and brought home the tragedy of war. The exhibition then introduced some of the most notable members of the Impressionism movement in London, including Monet, Pissaro and Alfred Sisley.

Having introduced the key players, the exhibition then focused on numerous works by James Tissot, which depicted his take on London high society. The paintings were fantastic and some of the best on display, and I was taken by the way Tissot realistically depicted the fabrics worn by the many women in his paintings – one in particular stood out, and that was a painting of a woman in a white dress with yellow bows. The detail and the life-like way he captured the fabrics was superb.

From there I wandered into a large room dedicated to Alphonse Legros, one of the first French artists to seek shelter in London and friend to the likes of Whistler, Dante Gabriel Rossetti, Monet, Tissot and Pissaro. There was an array of paintings and sculptures on display, but the standout for me was Rodin’s captivating bust of Legros, which displayed his superb craftsmanship to full effect.

The fourth gallery revolved around the French sculptor Jean-Baptiste Carpeaux during his time in London, while the fifth looked at British sports, crowds and parks from an outsiders’ perspective. I really enjoyed this gallery, there was lots to see and some exceptional pieces. I particularly liked Pissaro’s Bank Holiday, Kew and Guiseppe de Nitti’s Piccadilly Wintry Walk in London. Monet’s atmospheric Leicester Square at Night and Hyde Park were also showstoppers.

The sixth gallery focused on foggy scenes of the Thames and Westminster. I’m often captivated by paintings and illustrations where London is shrouded in fog as they’re so far removed from my experiences of the capital. It isn’t something I’ve witnessed, yet it’s a popular 19th century image of London. The gallery featured a number of excellent works, including three pieces from Whistler’s haunting Nocturne series. Pissaro’s Charing Cross Bridge, London and Guiseppe de Nitti’s Westminster were also fantastic.

The penultimate gallery showcased Monet’s work. To me, Monet is the epitome of Impressionism and I’ve been a fan of his since I was introduced to his work in school. The gallery was packed with recognisable works including two paintings of Charing Cross Bridge and countless depictions of the Houses of Parliament.

What I particularly liked about Monet’s paintings of the Houses of Parliament was the way he captured the iconic landmark at different times of the day and in different lights – at sunset, in sunlight and the effect of sunlight in the fog. It was great to see all these similar paintings together in one room as it really helped showcase the varying effects of the light.

The eighth and final gallery explored André Derain’s colourful depictions of the Thames. He painted traditional scenes of the Thames, such as Charing Cross Bridge, in bright, vivid, unrealistic colours and it was a complete contrast to the other Impressionists’ more realistic depictions of London’s most famous river. It was an interesting, unexpected and playful end to the exhibition.

I really enjoyed The Impressionists exhibition – it was packed with exceptional pieces and  showcased works by lesser known Impressionists alongside the blockbuster names. I was introduced to a number of great artists I was unfamiliar with, but I also liked that it featured some of the most iconic of the Impressionists’ works. It was fantastic to see so many of Monet’s works, for example, in one room. A great exhibition and well worth seeing.

Info

The Impressionists, until 7 May 2018
Tate Britain, Millbank, London SW1P 4RG
Adults £17.70, many different concessions available
tate.org.uk

 

London – Hampstead Heath and Kenwood House

Kenwood House in Hampstead, London

One of my favourite places in London for a Sunday stroll is Hampstead Heath in the north of the capital. When I lived in London, I spent many a morning tramping through the heath in all kinds of weather, but I hadn’t been back since I left the Big Smoke more than three years ago. So when I was up in London at the beginning of April, I decided it was the perfect time to revisit my old stomping ground.

The viaduct ponds on Hampstead Heath

During my trip, I recreated my favourite walk through heath, which starts at the entrance near Hampstead Heath Overground Station and takes me as far as Kenwood House, the stately home that sits on the northern edge of the heath, before looping back around to my starting point via a different route.

On joining the heath, I walked past the open grassland of Pryors Field and the Hampstead Ponds, and kept walking until I reached the woods. There I carried on through the woods for a short distance until I reached the Viaduct Pond (above). This pond is one of my favourite places on the heath as it’s so pretty and tranquil, and I love the weathered, red brick arches of the viaduct. There are usually a few ducks happily bobbing away on the water, too, which adds to the serene feel of the place.

Walking through the woods on Hampstead Heath

From the pond, I walked up to and over the viaduct, and continued along the path until I reached the men’s toilets. There I turned to the right and carried on walking through the woods, past a massive overturned tree, until I reached the entrance to Kenwood House. This stretch of the heath can get very muddy, so wellies or hiking boots are essential during the winter months or if it’s been raining heavily.

The view over the heath from Kenwood House in Hampstead

Kenwood House is an elegant 18th century stately home and I always remember it for its starring role in Notting Hill when Hugh Grant’s character comes to meet Julia Roberts’s character on the set of the period drama she’s filming.

There’s a fair bit of parkland surrounding Kenwood House and once you reach the gates, you have to walk another 10 minutes or so through the grounds before you come upon the house. The grounds are lovely, stretching over some 112 acres, and there’s plenty to see. Alongside the rolling meadows and woods, there are ponds, a fake bridge, an old dairy and sculptures by the likes of Henry Moore and Barbara Hepworth. Its also the source of the old Fleet River.

A sandwich and a pot of tea at The Brew House Cafe at Kenwood House

It was lunchtime as I arrived at Kenwood House, so I made beeline for its café. The Brew House Café is a great place for a bite to eat, selling tasty food and delicious cakes, and I used to regularly stop off here for a hot chocolate or an ice cream (depending on the season) during my hikes across the heath. It can get very busy though, so if you’re planning to have lunch here, it’s best to do so sooner rather later. I arrived just before it got really busy, and I’m glad I did, as it was heaving some 10 minutes later.

Kenwood House in Hampstead, London

Happily refreshed and sated, it was time to explore the house. The present house was built by the Scottish architect Robert Adam in the late 18th century and is now run by English Heritage. It’s a long, beautiful house with two floors open to the public.

The music room at Kenwood House

On going inside, I found myself in the entrance hall, and from there, I did a loop of the ground floor, before venturing upstairs. From the hall, I went through a narrow corridor to the green room and onto the elegant music room (above). Then I headed back through the green room to the orangery, which boasts fabulous views over the grounds, and onto the breakfast room (below) and Lord Mansfield’s dressing room, finishing up in the grand dining room and the pastel-hued great library.

The Breakfast Room at Kenwood House

One thing I hadn’t appreciated before visiting Kenwood House was how extensive its art collection is. Almost every room in the house is filled with incredible paintings by acclaimed artists such as Rembrandt, Gainsborough, Vermeer and Van Dyke, to name a few. The astounding number of pieces, which once belonged to the 1st Earl of Iveagh, makes Kenwood House one of London’s great, unsung art galleries.

The artworks are superb and I was amazed at how many pieces by great artists were hanging on its walls – even the smaller, less distinguished rooms were dripping with paintings by well-known names.

My favourite room was the Great Library (above), which was refurbished between 2012 and 2013 with the aim of recreating the room’s original late-18th century decor. It’s a huge, light, airy room with an incredible pale blue and pink ceiling, and rows and rows of glorious book cases. It’s a spectacular space and so very, very pretty.

The room filled with collections of buckles, jewellery and miniatures

After seeing all there was to see downstairs, I headed upstairs. There are fewer rooms on the first floor so it doesn’t take as long to see it all, but the first floor, like the floor below, is home to countless works of art. There’s also a room filled with cabinets displaying pieces of jewellery, belt buckles (some of which are very bling) and miniatures. It’s a curious room with some superb, unusual objects and well worth venturing upstairs for.

Having looked around the house, I headed back outside where I wandered through the grounds until I reached the heath. From there, I took a slightly different route back, cutting across the woods via a different path to the Viaduct Pond, crossing the viaduct, and then carrying on in a straight line until I reached the other side of the Hampstead Ponds. There I crossed a path between two of the ponds and carried on walking until I reached Hampstead Heath Overground Station.

Hampstead Heath

I loved my time on Hampstead Heath, it was just as beautifully wild and untamed as I remembered, and wonderfully relaxing, too. When I’m walking across the heath I find it hard to believe I’m in the middle of London as it feels as though I’m in the countryside. For huge stretches of my walk, I was all alone – it’s a fantastic place to unwind, away from the hustle and bustle of the capital. By far and away, one of the best places in London for a walk.

Info

Kenwood House, Hampstead Lane, Hampstead NW3 7JR
Open seven days a week
Free
english-heritage.org.uk/visit/places/kenwood

London – Wellcome Collection

Wellcome Collection, London, 15 July 2017 (8)

The Wellcome Collection on the Euston Road is one of my favourite London museums/galleries and is, in my opinion, one of the capital’s most underrated. When one of my friends suggested we visit it after our recent afternoon tea, I happily agreed.

The museum houses a series of unusual objects collected by the Victorian philanthropist, entrepreneur and science patron Henry Wellcome. It’s also home to a permanent collection that explores the human body, science and medicine.

Wellcome Collection, London, 15 July 2017 (7)

Our first stop on arriving was Medicine Now, one of the permanent collections, that explores a series of ideas about medicine and science since the 1930s. The exhibition is filled with lots of interesting objects, including a transparent model of a woman where you can light up different organs in the body. We had great fun learning where the different organs were, some of which weren’t where we expected to find them! There was also a plastinated body slice on display, which was fascinating, and we spent ages debating whether or not it was a man or a woman.

We then had a look around the temporary exhibition, A Museum of Modern Nature, which runs until 8 October 2017. The exhibition features a series of objects, donated by members of the public, that represent what nature means to them. Some of the objects (such as antlers donated by wildlife expert Chris Packham) made perfect sense, others were far more abstract. My favourite item on display was a research chart compiling the daily behaviours of a group of apes and I spent ages poring over the records trying to decode some of the activities featured.

The second permanent collection, Medicine Man, features a series of objects collected by Henry Wellcome on his travels. It’s a curious mix of artifacts that includes a toothbrush that allegedly once belonged to Napoleon, masks from different parts of the world, a lock of George III’s hair, very painful looking Victorian forceps and other medical instruments, and Japanese sex toys.

There’s also a series of paintings – some of which, including one set in purgatory, are downright bizarre. The collection’s eye-opening and fascinating, and there were lots of cries of ‘look at this!’, as well as debates as to what various objects were used for.

Wellcome Collection, London, 15 July 2017 (9)

Before leaving, we headed upstairs to the Reading Room (above). It’s a lovely space, surrounded by bookshelves filled with books you can borrow and read in one of the comfy looking chairs or bean bags, and tables featuring board games. There are also a few paintings and objects on display, including another plastinated body slice. It’s a very relaxing space and I could easily have sat down with a book and settled in for an hour or two.

I’ve been to the Wellcome Collection many times and I never tire of the curiosities on display. Each time I go I find something new I hadn’t noticed before among the quirky and intriguing objects Henry Wellcome collected on his travels. If you’re looking for a museum in London that’s a little different to the norm, add the Wellcome Collection to your itinerary.

Info
Wellcome Collection
183 Euston Road, London NW1 2BE
Free
10am-6pm, Tuesday to Sunday, (open until 10pm on Thursdays)

wellcomecollection.org

London – The Encounter at the National Portrait Gallery

I had a couple of hours to spare before meeting my friends for afternoon tea at Bea’s of Bloosmbury so I headed to my favourite museum/art gallery in London – the National Portrait Gallery near Trafalgar Square.

I was keen to see one of the gallery’s temporary exhibitions, The Encounter: Drawings from Leonardo to Rembrandt, which runs until 22 October. The exhibition features 48 portraits by European Renaissance and Baroque artists such as Hans Holbein the Younger, Rembrandt van Rijn, Albrecht Dürer and Leonardo da Vinci.

The portraits were all drawn on paper using coloured chalks, pen and ink, or metalpoint, and this simplicity lent an intimacy to the exhibition. The craft and skill on display was incredible, and it might sound silly, but I was struck by how lifelike all the portraits were. They looked like real people as opposed to slightly distorted drawings or caricatures and I felt as though I was seeing a true reflection of what the sitter looked like.

Of all the portraits featured, those by the 16th century Italian artist Annibale Carracci were my favourite. The exhibition featured four portraits that were either drawn by the artist or attributed to the artist – one was of the lutenist Giulio Pedrizzano, while the others were of unknown young men and boys. The portraits were excellent and really seemed to capture the essence of the sitters.

Hans Holbein the Younger is one of my favourite portraitists, largely because I like his portraits from his time at Henry VIII’s court. The exhibition featured seven of his portraits, mostly of unnamed people, but one of the portraits was of John More, the father of Henry VIII’s Lord Chancellor Thomas More. The one thing that struck me about Holbein’s portraits was the lifelikeness of the eyes. In one portrait, the eyes looked so true to life they looked like a photograph.

Despite being one of the headline artists, there’s only one portrait by Leonardo da Vinci in the exhibition, but it’s an exceptional piece of portraiture and shows why he’s one of the greatest artists of all time. The portrait is that of a naked man and he’s captured his form perfectly in a deceptively simple drawing.

I really enjoyed The Encounter, it’s a small exhibition (it only took half an hour to see everything) but interesting. The skills showcased by the artists are astonishing and it was great to see such simple, but incredible, works of art. Photos weren’t allowed, which is why there aren’t any accompanying pictures. But if you like portraiture and drawing, and are in London, the exhibition is well worth seeing.

Info
The Encounter: Drawings from Leondardo to Rembrandt
National Portrait Gallery, St Martin’s Place, London WC2H 0HE
Adults £8, concessions £6.50, free for members
Until 22 October 2017

npg.org.uk

 

London – Afternoon tea at Bea’s of Bloomsbury

Afternoon tea, Bea's of Bloomsbury, London, 15 July 2017 (3)

When my friends suggested we go for afternoon tea for my birthday recently, I jumped at the chance. I love afternoon tea. One of my friends works for a foodie magazine so after asking one of her colleagues where we should go, we had a shortlist of Bea’s of Bloomsbury, the Dean Street Townhouse and the Berkeley Hotel.

I plumped for Bea’s of Bloomsbury as I liked their menu and at £24.50 for a full afternoon tea, it wasn’t too expensive compared to some afternoon teas in the capital – some charge eye-watering sums of money.

Bea’s of Bloomsbury is a small chain of cafés across London specialising in cakes, pastries and afternoon tea. They have outlets in Bloomsbury, St Paul’s, Marylebone, Farringdon and Maida Vale, but we decided to go to the Bloomsbury branch so we could visit the nearby Wellcome Collection afterwards.

The Bloomsbury branch is tiny, so booking is essential as it was pretty much full the entire time we were there. We were welcomed inside, and as the first afternoon tea customers of the day had our choice of tables, so we opted for a table opposite the counter. We all chose the full afternoon tea menu – they also have vegetarian and wheat-free options, as well as menus that include a glass of prosecco or champagne.

Afternoon tea, Bea's of Bloomsbury, London, 15 July 2017 (2)

The food soon arrived – a mouthwatering array of mini brioche rolls filled with: avocado and dukkha spiced yoghurt; parma ham with mascarpone cream, fig relish and honey; egg mayonnaise and cress; and smoked salmon and crème fraiche. Along with plain scones served with jam and clotted cream; a selection of mini cake bites including brownies, blondies and meringues; and a full-sized cupcake each. All was washed down with a giant pot of English breakfast tea.

The brioche rolls were great, if a little messy – some were easy to cut up into bite-sized chunks and eat, others (egg mayo) less so. The smoked salmon and crème fraiche was my favourite as its one of my favourite sandwich combinations. I didn’t like the avocado with dukkha spiced yoghurt as much as it lacked flavour and I found it a little odd and tasteless. Everything else was good though and it was nice to have something different to the standard cucumber and cream cheese.

The scones were lovely and weren’t too big – sometimes the scones are massive and a meal unto themselves, leaving you full before you get to the patisserie. And I enjoyed having a selection of miniature cakes as it meant you could try a little of everything. We just about managed to eat all the mini bites, but had no room left for the cupcakes so we had these boxed up to take away with us.

As it was my birthday, my friends insisted I take them home with me and the cupcakes (chocolate oreo and red velvet) were incredible – beautifully light, moist sponge topped with a buttercream that wasn’t too sickly or sweet.

One of the things that made the experience so good was the friendly and helpful staff. They’d playfully joke with us as they brought out our teas, rolls and cakes, and when we asked for an extra plate or knife, they were happy to help. Great service often makes or breaks these experiences, but I couldn’t fault the staff, and it was a chilled, comfortable place to while away a few hours.

If you’re looking for somewhere to have afternoon tea in London that won’t break the bank, Bea’s of Bloomsbury is a great place to try. It was a lovely, relaxing experience and the food was good. And if you have any suggestions of other places that offer an excellent afternoon tea in London (Brown’s Hotel do a great one, too), please share them in the comments.

Info
Bea’s of Bloomsbury, 44 Theobalds Road, London WC1X 8NW
Open Monday-Friday, 7.30am-7pm, Saturday-Sunday 10am-7pm
From £24.50 for full afternoon tea
beas.london

The Ginstitute

IMG_8145

Gin has never been my tipple of choice, I’m more of a rum and tequila girl, but when one of my friends asked if I fancied spending an afternoon making my own gin, I jumped at the chance.

The Ginstitute experience at The Portobello Star in London’s Notting Hill is essentially a three-hour masterclass in gin – an hour-long history of the spirit, followed by a gin making tutorial.

While the history of gin was fascinating (I had no idea there was so much drama attached to it), it was the gin making that I really enjoyed. During our tutorial, we sampled and learned all about the different botanicals that can be used in gins and that when combined, give each gin its own distinct flavour. Botanicals included citruses such as lemon peel, smokier flavours such as celery salt, spices such as cinnamon, florals such as rose and then random stuff like asparagus.

To make your own gin, you start off with a base of Portobello Road’s signature gin, then choose your preferred botanicals to add to it – the idea is to choose a mix (no more than seven) from across the spectrum, making sure to include one from each of the four groups eg one floral, one citrus, etc. The gin instructor then takes your choices and adds a bit of each one to create your own unique gin.

What surprised me most was how different everybody’s custom-made gin tasted. There were seven of us in our group and each gin was markedly different. My gin, according to my far more knowledgeable friend, apparently tastes quite similar to Hendrick’s.

Throughout the experience, we were furnished with a constant, flowing and very welcome supply of gin with a gin and tonic on arrival, followed by a Tom Collins (delicious; gin, lemon, sugar and soda water), followed by another gin and tonic, then another Tom Collins, and at the end, a gin martini…

We left The Ginstitute very happy (having stayed on afterwards for more gin cocktails in The Portobello Star) armed with two bottles of gin and some tonic. What’s more, The Ginstitute keeps a record of the gin you made, so you can order more bottles in the future.

The whole experience was great fun and one I’d definitely recommend, especially if you’re looking for something special and a little bit different to do. I certainly came away with a new found respect and appreciation of gin. Cheers!

Info
The Ginstitute, The Portobello Star, 171 Portobello Road, London W11 2DY
£110 per person (includes five cocktails and two bottles of gin)
theginstitute.com

 

 

Sunken Cities

The latest in a series of blockbuster exhibitions from the British Museum, Sunken Cities is a spectacular display of ancient Egyptian artefacts uncovered from the Mediterranean Sea, as well as objects from the British Museum’s collection and leading Egyptian museums. The artefacts were discovered during the underwater excavation of two long-lost Egyptian cities, Thonis-Heracleion and Canopus, which were once at the mouth of the Nile before being submerged by the sea.

When you walk into the exhibition the first thing you see is an enormously tall sculpture of the Egyptian god Hapy that was raised from the sea off Egypt’s coast. It’s jaw dropping and hard to wrap your head around the fact that until recently it had spent thousands of years, forgotten, under the Mediterranean Sea. Remarkably, 95% of the two submerged cities have yet to be excavated, so who knows what awe-inducing treasures are waiting to be discovered.

Many of the objects are perfectly preserved and if you’d told me they’d been manufactured a week ago, I probably would have believed you. They include pieces of pottery, the giant sculptures alluded to above, teensy delicate items of jewellery, gleaming coins and scarabs (turns out they’re not only beetle shaped). The other thing that struck me was how intricate some of the carving on the artefacts is, the fineness of the images etched into these objects is incredible.

I also learned an awful lot about ancient Egyptian culture from the exhibition, including the fascinating myths around Osiris, Isis and Seth. In a nutshell, Osiris was murdered by his brother Seth, then his wife Isis scooped up his body parts and had him mummified, making Osiris the first mummy. Osiris was then resurrected, becoming the god of the underworld.

All in all, a superb exhibition and highly recommended.

Info
Sunken Cities, British Museum, Great Russell Street, London WC1B 3DG
Until 27 November 2016
Adults £16.50, under-16s free
britishmuseum.org/whats_on/exhibitions/sunken_cities.aspx

London – Tapas Brindisa

I stumbled across this great little restaurant in Soho, London last night when out with two of my friends. They were in the mood for some tapas and despite it being almost 8pm and a Saturday night, they were able to squeeze us in.

Tapas Brindisa in Soho is one of a small chain of tapas restaurants in London and it definitely hit the spot. Like many Soho restaurants, it’s small and busy, and we were perched on a high bench alongside another group of diners, but despite this I barely noticed them and it proved to be a relaxed and unhurried dining experience.

Our biggest problem turned out to be trying to decide which of the many delicious sounding dishes to order and we spent about 15 minutes just debating what to go for. On the advice of our waitress, we picked three plates each – this turned out to be a bit too much and seven or eight plates between the three of us would have been plenty, especially as we decided we couldn’t possibly go without dessert.

The food was great, as was the wine. The highlights included the Courgette and Manchego Salad, which was light, tasty and a perfect combination of salty cheese, sweetly dressed salad leaves and earthy walnuts; the scrumptious and very meaty Grilled Smoked Chorizo on Toast; and the unusual Deep Fried Monte Enebro, a slice of goats cheese on toast with honey on top.

The only criticism I’d make was that the deep fried salt cod profiteroles could have packed more punch, they were a little bland when eaten alongside so many other perfectly-executed dishes. But that’s a small criticism and we had no problem devouring them. Highly recommended.

Tapas Brindisa Soho, 46 Broadwick Street, London W1F 7AF
brindisatapaskitchens.com